The body and many of the fittings (bridge, tuners, etc) have degraded somewhat, probably as a result of storage in humid conditions, but the neck seems surprisingly intact. Here's a photo of an intact ZO-3 (not mine):
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4MyAMvOd8KEzHCiokva0W9X1r5UU58X6fxHHo4ZwsUMW-7-OEgkDcHHkJmdwyEhdEnGgGpmWBR3ATosWhyphenhyphen_tjZ7Z3gx9jKzDMOnDzpk0XgOZe_XOwtv7ns91exZB7JWQDw6-xJa2T8NR6/s320/Z0-3.jpg)
http://commons.wikimedia.org/wiki/File:Fernandes_ZO-3.jpg
When spoken, Zo-3 becomes "zou-san" and is Japanese for elephant. Perhaps you can see the resemblance in the design? (picture the guitar in playing position).
The following principles will apply:
- Use existing scrap, junk, parts, bits and bobs, etc that I have lying around the house
- Allow aesthetics to dictate the flow of project (more below)
- Learn something new - in this case that'll probably be winding my own pickups
- Have fun
My Yes/No of Aesthetics
Yes - the guitar should appear to be:
- Space junk mated with agricultural machinery
- Earth bound but beaming out to cosmos
- Transmitting the unknown
No - the guitar should not embody:
- Machismo
- Death
- Auto-industry(?)
- Rock without any roll
(will probably add more to the above as the project progresses)
I sketched out a few shapes and used photoshop to get a full-size template:
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFbe_q4gMD9YAK7v6o9paGSO6y5HGmzFQkUZaBIsUMTdaeiT7III4JnR0mvOICBE1-6m_dKNZ87DWKBgh6sNUiaG7FGWTfS9L0EgDBHR25kpXCqG1NVc649uaKuGliMK1QtiKEjasixRsB/s320/shapes.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjiQ9kQcghCDth0uiUY-83e27dbo9zkmkMvM02qICQkTmdw8MGlFu6sW4yuGO3W5wpDvgjxac18pYeFTe8BCbIrEP17a4NE6SXGi6mdHjf8gUc0c_mZx6CHXzxCEpsjz2B0XH68CEUOK4L/s320/template1.jpg)
Next step is to make a proper template out of ply or hardboard. This will be used for routing the body.
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